{"id":240,"date":"2025-11-02T01:13:00","date_gmt":"2025-11-02T01:13:00","guid":{"rendered":"https:\/\/fantaliria.ro\/?p=240"},"modified":"2026-07-22T16:01:25","modified_gmt":"2026-07-22T16:01:25","slug":"recenziile-madalinei-94-crima-la-paris","status":"publish","type":"post","link":"https:\/\/fantaliria.ro\/?p=240","title":{"rendered":"Recenziile M\u0103d\u0103linei 94 – Crim\u0103 la Paris de Matthew Blake (CRIME CLUB)"},"content":{"rendered":"

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Titlu: Crim\u0103 la Paris  <\/o:p><\/b><\/span><\/span><\/p>\n

Autor: Matthew Blake<\/o:p><\/b><\/span><\/span><\/p>\n

Editura: TREI<\/o:p><\/b><\/span><\/span><\/p>\n

Titlu original: A Murder in Paris (2025)<\/o:p><\/b><\/span><\/span><\/p>\n

Traducere de Aluni\u021ba Voiculescu<\/o:p><\/b><\/span><\/span><\/p>\n

Anul apari\u021biei: 2025<\/o:p><\/b><\/span><\/span><\/p>\n

Num\u0103r pagini: 400<\/o:p><\/b><\/span><\/span><\/p>\n

Media pe Goodreads: 3,56 (din 979 note)<\/o:p><\/b><\/span><\/span><\/p>\n

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A<\/span><\/b>mintirile reprezint\u0103, f\u0103r\u0103 doar \u0219i poate, o sabie cu dou\u0103
\nt\u0103i\u0219uri \u2013 adesea incomplete, uneori neclare, rareori fidele realit\u0103\u021bii, dar
\n\u00eentotdeauna fluide \u0219i imprevizibile, ele constituie de fapt puntea care ne
\nleag\u0103 pentru vecie de un anumit loc, un anumit eveniment sau de o anumit\u0103
\npersoan\u0103, fiind \u00een acela\u0219i timp unice \u0219i comune; o marc\u0103 puternic\u0103 a
\nindividualit\u0103\u021bii \u0219i un tabuu social, un adev\u0103r \u0219i o minciun\u0103, un motiv de
\nsperan\u021b\u0103 \u0219i un motiv de jale. \u00cen toate aceste cazuri, reac\u021bia individului \u00een
\nfa\u021ba realit\u0103\u021bii face de fapt diferen\u021ba. De exemplu, s\u0103 ne g\u00e2ndim la
\nsupravie\u021buitorii lag\u0103relor de exterminare din timpul celui de-al Doilea R\u0103zboi
\nMondial. \u00cembr\u0103ca\u021bi \u00een zdren\u021bele dungate ale infernului din care au reu\u0219it s\u0103
\nscape, slabi, h\u0103mesi\u021bi \u0219i h\u0103itui\u021bi de ororile pe care le-au tr\u0103it, adolescen\u021bi,
\nb\u0103tr\u00e2ni, femei \u0219i b\u0103rba\u021bi s-au \u00eentors \u00een \u021b\u0103rile natale, n\u0103d\u0103jduind s\u0103-\u0219i ia
\nvia\u021ba de la cap\u0103t. Cu toate c\u0103 au supravie\u021buit, amintirile au continuat s\u0103-i
\ntortureze zi \u0219i noapte, transform\u00e2ndu-i \u00een fantome ce b\u00e2ntuie o societate care
\nnu-i \u00een\u021belege. Unii au ales s\u0103-\u0219i transforme trauma \u00een art\u0103, al\u021bii au decis s\u0103
\ntac\u0103 \u0219i s\u0103 se retrag\u0103 complet din lume; unii \u0219i-au dedicat restul existen\u021bei
\ncelorlal\u021bi, ajut\u00e2ndu-i s\u0103 \u00eenving\u0103 memoria, al\u021bii au c\u0103zut prad\u0103 disper\u0103rii \u0219i
\nau ales s\u0103 treac\u0103 dincolo; unii au ales s\u0103-\u0219i aduc\u0103 mereu aminte c\u0103 au
\nsupravie\u021buit, al\u021bii au vrut s\u0103 uite. Indiferent de alegerile lor, trauma i-a
\nf\u0103cut vulnerabili at\u00e2t fizic, c\u00e2t \u0219i psihic. Mintea lor a devenit u\u0219or de
\nmodelat, aidoma unei buc\u0103\u021bi de plastelin\u0103 \u00een m\u00e2inile unui copil. Astfel \u00eenc\u00e2t
\nadev\u0103rul unora a devenit minciuna altora.<\/o:p><\/span><\/span><\/p>\n

Pentru Olivia, adolescen\u021ba a reprezentat un \u0219ir
\nnesf\u00e2r\u0219it de provoc\u0103ri \u0219i b\u0103t\u0103lii nec\u00e2\u0219tigate. Ziua \u00een care \u0219i-a g\u0103sit mama
\nmoart\u0103 la masa din buc\u0103t\u0103rie din cauza unei supradoze, \u0219edin\u021bele nesf\u00e2r\u0219ite de
\nterapie al\u0103turi de Louis, un bun prieten al bunicii sale \u0219i un psiho terapeut
\nrenumit \u00eenc\u00e2 de la finele celui de-al Doilea R\u0103zboi Mondial, co\u0219marurile,
\nmuntele de vinov\u0103\u021bie greu de escaladat, pierderea marii iubiri \u0219i amintirile,
\nmai ales AMINTIRILE, \u0219i-au pus amprenta asupra ei, \u00eens\u0103 nu au reu\u0219it s-o doboare.
\nDimpotriv\u0103. Toate e\u0219ecurile au impulsionat-o s\u0103-\u0219i construiasc\u0103 o carier\u0103 de
\nsucces, iar ast\u0103zi este specialist \u00een memorie, ajut\u00e2ndu-i pe pacien\u021bi s\u0103-\u0219i
\nrecupereeze \u0219i cele mai bine ascunse amintiri. Chiar \u0219i a\u0219a, via\u021ba a continuat
\ns-o pun\u0103 la \u00eencercare \u2013 a trecut printr-un divor\u021b, bunica ei de 96 de ani sufer\u0103
\nde demen\u021b\u0103 \u0219i trebuie s\u0103 se \u00eempart\u0103 zilnic \u00eentre serviciul extrem de solicitant
\n\u0219i cre\u0219terea b\u0103ie\u021belului de \u0219ase ani. \u00cen ciuda greut\u0103\u021bilor, Olivia e mul\u021bumit\u0103
\n\u0219i \u00eemp\u0103cat\u0103 cu realiz\u0103rile ei, \u00eens\u0103 acolo unde e prea mult\u0103 pace, furtuna
\nlove\u0219te de dou\u0103 ori mai puternic. <\/o:p><\/span><\/span><\/p>\n

Preg\u0103tindu-se \u00eentr-o diminea\u021b\u0103 s\u0103-\u0219i duc\u0103 fiul
\nla \u0219coal\u0103, femeia prime\u0219te un telefon nea\u0219teptat din Paris. Apelantul \u00eei aduce
\nla cuno\u0219tin\u021b\u0103 c\u0103 \u00een foaierul hotelului Lutetia, bunica ei, <\/span>Josephine
\nBenoit<\/span>, tocmai a m\u0103rturisit o crim\u0103 comis\u0103 cu mai
\nbine de 70 de ani \u00een urm\u0103. B\u0103tr\u00e2na sus\u021bine c\u0103 numele ei este <\/span>Sophie
\nLeclerc<\/span> <\/span>\u0219i c\u0103 a ucis-o pe adev\u0103rata Josephine \u00een camera pe care
\nau \u00eemp\u0103r\u021bit-o pentru scurt\u0103 vreme dup\u0103 ce au fost eliberate din lag\u0103r.
\nBuim\u0103cit\u0103, ne\u00een\u021beleg\u00e2nd despre ce este vorba \u0219i presupun\u00e2nd c\u0103 boala bunicii
\navanseaz\u0103 \u00een mod alarmant, Olivia pleac\u0103 din Londra direct la Paris pentru a-i
\nda de cap\u0103t pove\u0219tii. \u00cens\u0103 nimic n-ar fi putut-o preg\u0103ti pentru secretele
\n\u0219ocante pe care urma s\u0103 le afle. Josephine, \u00een prezent o pictori\u021b\u0103 faimoas\u0103 \u0219i
\nsolitar\u0103, al c\u0103rei tablou renumit se afl\u0103expus \u00een holul hotelului Lutetia, s-a
\nnum\u0103rat printre supravie\u021buitorii de la Auschwitz care au fost repatria\u021bi \u0219i
\nreintegra\u021bi \u00een societate. Dar, acum, m\u0103rturisirea ei pare delirul unui om
\nnebun, un nebbunce trebuie redus la t\u0103cere cu orice pre\u021b. Uciderea bunicii cade
\nca o lovitur\u0103 de ghilotin\u0103 peste Olivia, ceea ce o determin\u0103 s\u0103 caute ad\u00e2nc \u00een
\nistoria familiei, sper\u00e2nd c\u0103 va afla cinea fost cu adev\u0103rat bunica ei \u0219i de ce
\na fost omor\u00e2t\u0103.<\/o:p><\/span><\/span><\/p>\n

\u201eCrim\u0103 la Paris\u201d nu e un thriller tipic, nu
\nabund\u0103 \u00een suspans \u0219i nici \u00een crime atroce, nu ne prezint\u0103 o anchet\u0103 elaborat\u0103 \u0219i
\nnici nu insist\u0103 asupra identt\u0103\u021bii \u0219i motivelor criminalului. La o prim\u0103 vedere,
\npare o nara\u021biune previzibil\u0103, u\u0219or haotic\u0103, aidoma fluxului g\u00e2ndirii, oscil\u00e2nd
\n\u00eentre un ritm alert \u0219i episoade lente, la care particip\u0103 personaje minimalist
\nconstruite. \u00cens\u0103 romanul lui Matthew Blake este de fapt unul complex, ce a\u0219eaz\u0103
\n\u00een centrul s\u0103u memoria traumatic\u0103, devenit\u0103 un personaj \u00een sine. Mai mult dec\u00e2t
\nat\u00e2t, constituie un elogiu adus tr\u0103d\u0103rii \u0219i minciunii, dar \u0219i un omagiu
\n\u00eenchinat supravie\u021buirii. Structurat pe dou\u0103 planuri temporale, trecut (1945),
\n\u00een care afl\u0103m povestea zugr\u0103vit\u0103 \u00een tonuri de grii a <\/span>Sophiei
\nLeclerc<\/span> <\/span>\u0219i a Josephinei Benoit, dou\u0103 tinere a c\u0103ror soart\u0103 a fost
\ndecis\u0103 de r\u0103zboi, \u0219i prezent (2019), \u00een care o \u00eenso\u021bim pe Olivia \u00een goana ei
\ndup\u0103 adev\u0103r, volumul ne pune pe tav\u0103 tot ce trebuie s\u0103 \u0219tim pentru a descurca
\ni\u021bele \u00eenaintea protagonistei. <\/o:p><\/span><\/span><\/p>\n

A\u0219 min\u021bi dac\u0103 a\u0219 spune c\u0103 nu mi-am dat seama
\nde la bun \u00eenceput care va fi deznod\u0103m\u00e2ntul. De cele mai multe ori, m\u0103
\nderanjeaz\u0103 faptul c\u0103 autorul las\u0103 toate mecanismele la vedere, conferind
\nnara\u021biunii un aer superficial. \u0218i \u00een acest caz am sim\u021bit nevoia de ceva mai
\nmult mister, \u00eens\u0103 miza lui Blake a fost cu totul alta \u2013 important este ce se
\n\u00eent\u00e2mpl\u0103 \u00een spatele u\u0219ilor \u00eenchise, \u00een subcon\u0219tient; cum sunt gestionate
\namintirile traumatice, dar, \u00een special, cum pot fi alterate \u0219i modificate dac\u0103
\nde\u021bii cheia potrivit\u0103. Componenta psihologic\u0103 predominant\u0103 \u0219i trimiterile la
\nistorie \u00eendep\u0103rteaz\u0103 romanul de sfera thrillerului, mai ales c\u0103 cel care este
\n\u00eens\u0103rcinat cu dezlegarea cazului aparemai degrab\u0103 ca un Deus ex Machina dec\u00e2t
\nca un personaj asumat \u0219i constant. Cu alte cuvinte, ideea lui Blake e
\nfantastic\u0103, dar poate c\u0103 modul \u00een care a fost ambalat\u0103 ar mai fi putut fi pu\u021bin
\n\u0219lefuit. Dar, dincolo de minusurile pe care le-am pus pe h\u00e2rtie, cartea merit\u0103
\no \u0219ans\u0103, fiind o lectur\u0103 captivant\u0103, relaxant\u0103 \u0219i pl\u0103cut\u0103.<\/span><\/o:p><\/span><\/p>\n


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Un proiect:  <\/b><\/i><\/span><\/span><\/p>\n

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Pentru mai multe p\u0103reri, arunca\u021bi o privire pe blogurile colegilor mei, unde, zilele acestea, au ap\u0103rut sau urmeaz\u0103 s\u0103 apar\u0103 recenzii despre romanul lui Matthew Blake:<\/span><\/p>\n

Falled<\/span><\/a><\/p>\n

Ciobanul de Azi<\/span><\/a><\/p>\n

Anca \u0219i c\u0103r\u021bile.ro<\/span><\/a><\/p>\n

Biblioteca lui Liviu<\/span><\/a><\/p>\n

Cite\u0219te-mi-l<\/span><\/a><\/p>\n

Analogii, Antologii<\/span><\/a><\/p>\n

Literatura pe tocuri<\/span><\/a><\/p>\n

Fata Cu Cartea<\/span><\/a><\/p>\n

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COMAND\u0102 CARTEA<\/span><\/a><\/div>\n

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<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Titlu: Crim\u0103 la Paris   Autor: Matthew Blake Editura: TREI Titlu original: A Murder in Paris (2025) Traducere de Aluni\u021ba Voiculescu Anul apari\u021biei: 2025 Num\u0103r pagini: 400\u2026<\/p>\n","protected":false},"author":2,"featured_media":241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[304,101,305,14,169,35,36,306,12],"class_list":["post-240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fara-categorie","tag-a-murder-in-paris","tag-blog-tour","tag-crima-la-paris","tag-crime","tag-crime-club","tag-editura-trei","tag-fiction-connection","tag-matthew-blake","tag-recenzie"],"_links":{"self":[{"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/posts\/240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=240"}],"version-history":[{"count":2,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/posts\/240\/revisions"}],"predecessor-version":[{"id":290,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/posts\/240\/revisions\/290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=\/wp\/v2\/media\/241"}],"wp:attachment":[{"href":"https:\/\/fantaliria.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fantaliria.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}